Paint
WME Magazine
With Australia's craze for home renovation, we are going through paint by the
truckload. In 2003, almost 124 million litres of paint was manufactured in Australia.
What are the environmental implications of changing colours?
The ingredients in paint are a well-kept secret. Most paint manufacturers will only divulge the
four broad categories of ingredients: pigments, solvents, resin or binder, and other additives.
Colour comes from the pigment, which is usually a mineral (such as Fe203 for red, Ti02 for
white) or a complex organic molecule (such as dioxazine violet for purple). The solvent and
resin/binder provide the base for the pigment. In enamel paints the solvent is a hydrocarbon,
while in water-based paints it is mostly water.
The remaining additives, usually some kind of hydrocarbon, are used for purposes such
as controlling drying, as in preservatives or thickeners, preventing mildew formation in damp
houses or to aid in the formation of the resin film.
All these components - as many as 40 separate materials in· some paints - are extracted
from the earth's crust. Most of the pigment materials are mined, while the others are usually
refined from crude oil. Some paint manufacturers have begun replacing the resins in enamel
paint with alkyds sourced from vegetable oils and there are also 'natural paint' manufacturers
who use ingredients such as beeswax and milk proteins.
While determining what goes in paint is highly complex, making it is relatively simple.
The ingredients are added to a mixer in the right order, stirred in and then packaged into steel
cans. The paint shop is then supplied with cans of base paint and of tinter, a concentrate of the
pigment that is added to the base according t.o a customer's colour preference.
Paint is environmentally advantageous in that it protects wood or metal surfaces from decay,
reducing resource use and the generation of building waste. It also has negative impacts.
The greatest of these occurs during application, with enamel paints in particular releasing
volatile organic compounds as the solvents evaporate and the paint dries. This can give
rise to 'Painter's Syndrome', which has been known to affect the central nervous system of
professional decorators. In Europe it is estimated three per cent of total VOC emissions come
from paint. One leading paint manufacturer estimates the lifecycle impact of painting 100 m
2
with enamel paint every seven years for 40 years would include release of up to 12 kg of VOCs,
171 kg of CO
2 and generate a similar amount of waste.' It would need just 2,360 MJ but would
also contribute 2.3 kg of acid-forming SO
4
The impacts don't end with a coloured wall. DIY home decorators, despite the best
educative efforts of councils, EPAs and paint companies, often wash their brushes in the sink or
over a drain, sending diluted paint into waterways. Similarly, half-empty cans are sent to landfill,
causing toxins to leach into the soil and groundwater. Recent programs such as Victoria's
'Paintback' trial aim to collect leftover paint. This not only pulls steel cans out of the waste
stream, but also sees the paint reused, commonly on public property where specific colour is
less vital.
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